Portraits tell us who we are.
By describing us to ourselves as shared concepts.  Good portraits are conversations between the viewer and the viewed.
&Truthful, visually authentic portraits are one of the few means of quantifying quality of life.
Statements of hope and complicity. How we intend &do share the world.
Instituions quickly reveal internal attitudes toward humanity and quality of life within the way they depict their people.
Whether people are to be considered a resource of intelligent beings or stackable commodities.
Consumers or citizens.
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Genuine relationships can be seen. Hopefully lasting a lifetime.
Portraits are miniature biographies and autobiographies capable of engendering empathy or godforbid contempt to thoughtful intelligent people in less time than it takes to proclaim a buzz word.
My personal thought upon seeing a portrait is the immediate decision toward whether or not I would enjoy meeting this person. As a thinking citizen.
A question of intelligence really. I’m often amused at large groups of students shown by universities doing stupid things … As if large numbers of idiots are a better experience than a few.
Comfort, race, ethnicity, poise are immediately evident. Without the awkwardness these subjects acquire even with the most careful and sincere wording.
By placing items specific within the university context. Ethnic values can be addressed With a beautiful respect.
Indeed, archaic words like: sincerity, dignity, propriety, are increasingly evident only in true visuals as we are told that quality is only measured by quantity.
As if a hog was superior to a gazelle simply as it weighs more.
The generations of people flowing through a university
can be depicted in silhouette.
The best portraits are those communicating personal identity.
“That could be me.” Or it could be Jim or Sallie.
The campus itself becomes a portrait of the hopes and aspirations of generations of families.
At a university, all real photographs are actually portraits. Photos used to document words are counter productive as they question the veracity of what is being said.
(Questioning ones own truthfulness is a poor communications strategy. )
Portraits can be made of both passing time …..
and the maturation of the relationships themselves.
Sports activities become identity portraits when they move beyond the obvious documentation of an event and show changing roles and social models within the society of the institution.
All sterotypes disolve before the viewers eyes.
And speak across generations.  (In those awful marketing terms that have led to such terrible huckstering: they blend demographics.
As Curley of the THREE¬†STOOGES¬† replied when asked as a court witness “if he swore?”
“No … ¬†but, I know all the words.”)
As the university “mission” should be thoughtful people capable of adding to society … Provoking positive thought is a demonstration of University bona fides.
The comfort of an individual in potentially uncomfortable situations creates and institutional statement. On how welcome a stranger will be immediately.
Or the context in which that education places its people within the world.
Nurture, social ability
and finally  an educated understanding of  beauty and life are surely possibilities for portraiture.
Indeed the portrait of a university founder and his dreams can be made with his cane chair and the life blooming around his home. A hundred years later.
Finally in combination, the viewer receives a reasonably truthful portrait of the university itself.  An identity all universities worth their salt should be pleased to keep.
As Cartier Bresson said: “If an approach is elegant; it is probably approaching the truth.”
Always thought teaching the classics & their innate search for truth has a dignity and grounding. Any society that looses its desire for the truth embraces and champions its own decline.
H. Scott Heist   Splinter Cottage 09
“Portraits” is the work of ¬†H. Scott Heist. ¬†Rights on all content is reserved and may nt be used without permission.
Splinter Cottage, the view from Splinter Cottage & Everyday is a Short story are trademarks of H. Scott Heist for many years and their rights are similarly reserved.
contact: SplinterCottage@aol.com & 1.610.346.8538
5 Comments
jill gordon
Your art is Beyond intelligible words!
Hi Scott,
It was a pleasure to meet you and Carol at Moore’s Alum weekend!
Can you send me Carol’s recent email address? I had tried to contact her and the mail came back.
Thanks!
Jill Gordon
Wendy Naugle
Scott,
I came into work today with sinking feelings due not just to the weather or the daily grind but also some person issues. This story and the photography has been a balm. I could feel myself open up to absorb the beauty in the pictures and truth and genuineness of the words. Love your work……..
Susan Van Dongen
These are gorgeous! The one young guy (cheerleader?) looks like a young Robert Redford.- Susan, As matter of fact, I shot that portrait for the rear cover of a recruitment at Lehigh University with a woman graduating on the cover. They had just celebrate 10year of co ed. The woman blowing hte bubble was the last time I pressed the shutter on that campus. When I arrived there were 3 student of color on the whiole campus. Later when a new crew arrived firing everyone with loyalty to the alums all of these were thrown in boxes as they hired their friends and pretended to be Donald Trump. I still think the photos are honest and empathetic.
Anyway nice to hear from you. My Calder Portrait will be up at the Michener later this year. They have been kind enuff over the years to buy about a dozen prints for their perminent. And I just found another pair of red Docs … 1925s from England .. 1925 no longer made in England .. replicas made in China … got yellow stitches … my origonal steel toes cherry docs still at it after … well they have stepped in things over a dozen countries. S.
Bill George
Scott, your photos are a treasure for me, for Bridget and myself. (It’s not so much the photos as it is the way you see.) They’ve been a part of our lives, like an oak growing in the backyard–constantly beautiful, strong, simple, profound. We walk by them almost everyday, to the point of taking them for granted. Still, we stop now to look and be moved. Thank you.
Bill
Suzanne Crilley
Scott. Your photos are stunning and your comments thought provoking. What do you plan to do with this presentation?